
Schrödinger's piano
1,327 components from a nineteenth-century piano, opened into an inventory of relations.
Pep Vidal · artist / scientist
Every system changes continuously. Most of those changes are too small to perceive. My work investigates the moment when they become visible.
One research. Multiple forms.
Explore work ↓Five recent projects in which systems are opened, sampled, cultivated, dismantled and rebuilt.

1,327 components from a nineteenth-century piano, opened into an inventory of relations.

Four waters from one hydrological system, presented separately while remaining materially connected.

A cabin built from the accumulated matter of a practice, folded back onto a thesis written eleven years earlier.

A collective portrait of territory made through collected waters, maps and a growing travelling archive.

A living, collaborative garden linking botanical memory, religious traditions and four sites in Vic.
The works change form, but the questions remain close: how to observe a system without pretending it is still; how to measure without erasing experience.
Looking long enough for a difference to become perceptible.
Using quantities as tools, not as replacements for experience.
Following processes before and after the instant usually called the event.
Opening wholes into parts, flows, dependencies and feedback.
Treating notes, inventories and traces as material forms of research.
Nothing is static. A system is only a temporary arrangement of relations.